It Is Whatever

The video intro sequence set the whole thing up – it was amazing. A candy-styled pinball extravagansa. You could see that this five minute intro was a project in itself. From the video content to the way it was displayed on moving screens. It really set the gig up. Dancers appeared and then the Queen of pop was revealed on a throne turning on a platform.

The opening ‘Candy Shop’ was Madonna informing everyone that she is still working on delivering her best material. Then she followed it up with another one off the new album ‘Beat Goes On’ and then ‘Human Nature’ so when ‘Vogue’ kicks in the crowd are well up for it. Madonna is in great shape and is dancing flat out.

An interlude follows where two of her dancers perform a mock boxing match which Madonna slips into something less comfortable and presumably catches her breath. She reappears with a black Gibson Les Paul and plays ‘Into The Groove’ complete with Keith Haring-like video content broadcast behind her. Another new one ‘Heartbeat’ follows and then she’s back with another Gibson for ‘Borderline’, this time it’s a pink SG complete with a whammy bar!

‘She’s Not Me’, ‘Music’, Video Interlude (with Eurythmics’ ‘Sweet Dreams’), ‘Devil Wouldn’t Recognise You’, ‘Spanish Lesson’ and ‘Miles Away’ are next. ‘La Isla Bonita/Lela Pala Tute’ get the crowd going frantic and then there is a strange Romanian folk interlude where Madonna is sitting whilst being serenaded by the eldest guitarist of the folk group. Quite touching and nice to see Madonna take a much needed rest – she’s really been giving it plenty! ‘You Must Love Me’, Video Interlude, ’4 Minutes’ and then ‘Like A Prayer’ which is electric. So retro it’s great though I would have liked to have seen the backing choir instead of hearing them recorded.

‘Ray Of Light’ is awesome. And the projections behind seem very current what with CERN’s LHC recreating the Big Bang this week. Then Madonna tells us she’s up for doing requests but “I’m not doing that one cos I can’t remember the lyrics…I can’t even remember the words to the new ones”. Then, with just the drums backing her, she delives a quick rendition of ‘Express Yourself’ with the audience providing a very convincing accompaniment. “This is why I love the UK!” she explains, then dropping into the opening guitar riff of ‘Hung Up’.* She’s been having the craic with the audience throughout.

Ending with ‘Give It 2 Me’ Madonna is definitely stating that this is no farewell tour and that she these new songs are just as relevant, timeless and anthemic as the classics she didn’t play. In fact she didn’t even need to play ‘Material Girl’ or ‘Like A Virgin’ or ‘Holiday’ or ‘Lucky Star’ or Crazy For You’ or ‘Papa Don’t Preach’ or… you get the idea.

Great gig and the Queen of pop she is… but she ain’t no Prince.

* Girls take note! For this track Madonna used an open tuning and just played the 4 bass strings meaning she could rock out with just using one finger. She’s definitely a worthy guitarist though as she proved with ‘Borderline’.

Footnote: Many people seem to have had an awful experience because of the sound. Those wishing to complain should write to info@livenation.co.uk stating their full contact details (name, address, phone number, email), the nature of their complaint (please be specific about what you could or could not hear) and your seating and booking reference numbers (these will be on your tickets). (Thanks Martyn!)

Live Nation will be handling Madonna’s new studio efforts, tours, merchandise, DVD releases, sponsorships, licensing agreements, fan club, Web site, and TV and film projects until 2017. Yikes!

You can also write to Madonna via her website here.